Illustrated essays broaden our understandings of modernism by centering Black artists and experiences. Ten leading scholars explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, with an extended feature devoted to the work of Venice Biennale Golden Lion winner Simone Leigh.
Illustrated essays broaden our understandings of modernism by centering Black artists and experiences. Ten leading scholars explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, with an extended feature devoted to the work of Venice Biennale Golden Lion winner Simone Leigh.
Edited by Steven Nelson and Huey Copeland
In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Simone Leigh, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art—its notions time and again focused on the singular white male European or American artist—with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism.
Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts
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| Description | Illustrated essays broaden our understandings of modernism by centering Black artists and experiences. Ten leading scholars explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, with an extended feature devoted to the work of Venice Biennale Golden Lion winner Simone Leigh. Edited by Steven Nelson and Huey Copeland In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Simone Leigh, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art—its notions time and again focused on the singular white male European or American artist—with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. Published by the National Gallery of Art, Center for Advanced Study in the Visual Arts
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