Edward Hopper built his paintings around light
“I like long shadows and early and late sunlight
I am very much interested in light, and particularly sunlight, trying to paint sunlight without eliminating the form under it, if I can
Edward Hopper built his paintings around light. “I like long shadows and early and late sunlight. I am very much interested in light, and particularly sunlight, trying to paint sunlight without eliminating the form under it, if I can.” The four paintings presented in this box of notecards are among his most well known and exemplify the painter’s keen sensibility to interiors infused with atmospheric light, both bright and subtle. Contains five each of the following notecards: Room in Brooklyn, 1932 Chop Suey, 1929 Room in New York, 1932 Western Motel, 1957 DETAILS
- 20 blank notecards (5 each of 4 designs) with envelopes in a decorative box
- Printed in full color on recycled paper with soy based inks
- ISBN 9780764941276
- High-quality 250 gsm card stock
- Soft white envelopes
- Pomegranate’s notecard sets feature exclusive selections of art from museums and artists around the world
- Box size: 5.375 x 7.375 x 1.5 in.
- Card size: 5 x 7 in.
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| Description | Edward Hopper built his paintings around light. “I like long shadows and early and late sunlight. I am very much interested in light, and particularly sunlight, trying to paint sunlight without eliminating the form under it, if I can.” The four paintings presented in this box of notecards are among his most well known and exemplify the painter’s keen sensibility to interiors infused with atmospheric light, both bright and subtle. Contains five each of the following notecards: Room in Brooklyn, 1932 Chop Suey, 1929 Room in New York, 1932 Western Motel, 1957 DETAILS
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