Written by Nancy Ash and Shelley Fletcher
Representing an updated and comprehensive effort in this area of study, this catalogue discusses watermarks in the papers used by Rembrandt. The authors have relied on the precise information available in radiographic images for this painstaking study. The volume introduces a methodology that might well become a model, or even a stimulus, for similar projects on other artists in the future. Derived from the holdings of the National Gallery and other important museums, this work is easily accessible to the researcher, curator, and Rembrandt scholar.
- 258 Pages, 217 Duotones, 12.25 x 10.375 inches
- Published: 1998