Susan Meiselas: Mediations, Signed by the Artist

About the Author

Susan Meiselas (born 1948) studied at Sarah Lawrence College and Harvard University, taking up photography in the early 1970s. She is credited with being one of the first to work with color in documentary photography, a controversial decision when she was shooting the conflict in Nicaragua in the late 1970s. Meiselas joined Magnum Photos in 1976 and has worked as a freelance photographer since then.

Susan Meiselas: Mediations, Signed by the Artist

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Foreword by Carles Guerra and Marta Gili; text by Ariella Azoulay, Eduardo Cadava, Carles Guerra, Marianne Hirsch, Kristen Lubben, Isin Onol, and Pia Viewing

A member of Magnum Photos since 1976, Susan Meiselas became known for her work in the conflict zones of Central America in the 1970s and '80s and for the strength of her color photography. Covering many subjects and countries, from war to human-rights issues and from cultural identity to the sex industry, Meiselas uses photography, film, video, and sometimes archive material, as she relentlessly explores and develops narratives integrating the participation of her subjects in her works. Meiselas constantly questions the photographic process and her role as witness.

 

Presenting a selection of works from the 1970s through the present day, Susan Meiselas: Mediations retraces her trajectory from the 1970s to the present. Published to accompany a major traveling retrospective of the photographer’s work, it features an illustrious list of contributors that includes Ariella Azoulay, Eduardo Cadava, and Kristin Lubben, among others.

  • Signed by the artist
  • Hardcover
  • 7 x 9.5 inches
  • 184 pages, illustrations throughout
  • Published: 2018


Editorial Reviews

"Using photography, film, video, and archive material, Meiselas presents a comprehensive narrative of the subjects in her work, constantly raising questions about the role of the photographer as a witness and the subject as a participant." —Juxtapoz

"If you can’t make it to see her genre-defining photographs in person, pick up the book and look behind the scenes of one of America’s photographic living legends.” —New York Magazine

"Meiselas remains an inspiration for any self-conscious photographer. At the centre of her work is a perpetual discussion around the purpose and relevance of photography, the use and distribution of images and their effects on history and memory."—Dazed

"a meditation on the threads that weave the complex tapestry of Meiselas’ career." —Huck

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