Part of the National Gallery of Art's extensive collection, you can take home a reproduction of Nonchaloir (Repose) (1911) for your own gallery in this 11 x 14" print, matted with an eggshell-white mount.
The woman in Repose is John Singer Sargent's niece, Rose–Marie Ormond. In keeping with his newfound preference for informal figure studies, Sargent did not create a traditional portrait; rather, he depicted Rose–Marie as a languid, anonymous figure absorbed in poetic reverie. The reclining woman, casually posed in an atmosphere of elegiac calm and consummate luxury, seems the epitome of nonchalance—the painting's original title. Sargent seems to have been documenting the end of an era, for the lingering aura of fin–de–siècle gentility and elegant indulgence conveyed in Repose would soon be shattered by massive political and social upheaval in the early 20th century.
Part of the National Gallery of Art's extensive collection, you can take home a reproduction of Nonchaloir (Repose) (1911) for your own gallery in this 11 x 14" print, matted with an eggshell-white mount.
| Skip FB/IG Feed? | No |
|---|---|
| Description | The woman in Repose is John Singer Sargent's niece, Rose–Marie Ormond. In keeping with his newfound preference for informal figure studies, Sargent did not create a traditional portrait; rather, he depicted Rose–Marie as a languid, anonymous figure absorbed in poetic reverie. The reclining woman, casually posed in an atmosphere of elegiac calm and consummate luxury, seems the epitome of nonchalance—the painting's original title. Sargent seems to have been documenting the end of an era, for the lingering aura of fin–de–siècle gentility and elegant indulgence conveyed in Repose would soon be shattered by massive political and social upheaval in the early 20th century. Part of the National Gallery of Art's extensive collection, you can take home a reproduction of Nonchaloir (Repose) (1911) for your own gallery in this 11 x 14" print, matted with an eggshell-white mount.
|
